Showing posts with label Lisa M. Robinson. Show all posts
Showing posts with label Lisa M. Robinson. Show all posts

Saturday, January 16, 2016

FIRST RELEASE OF NEW IMAGE

LISA M. ROBINSON: ILEUVIUM

KLOMPCHING GALLERY is delighted to release the first image from Lisa M. Robinson's new series, Chronos.

Ileuvium, 2015 © Lisa M. Robinson

Title: Ileuvium
Series: Chronos
Year: 2015
Edition: 10+1AP
Medium: Archival Pigment Print
Size: 30"H x 40"W image on 40"x50" sheet

Please contact the gallery for current price and availability. 

Wednesday, April 15, 2015

AIPAD 2015: LISA M. ROBINSON

Wish, 2005


Series Title: Snowbound
Number of artworks at AIPAD: 2
Edition: 15 + 2APs
Size: 28" x 36"
Medium: C-Type
Year: 2003-2007

Photographed over the course of five winters, the landscapes in Snowbound are pristine in their sparse whiteness. The minimalist compositions have a meditative quality that causes the spectator to be drawn into the perfected white-on-white. They exude a neutrality of tone in which the ground recedes into the sky, mirroring the envelopment of human presence by the binding snowfall. Accents of color are signs that betray the empty loneliness; they prick through the whiteness, at times with a surreal incongruity. As quiet observations of our human condition, these metaphorical studies perceptively capture notions of transience, loss and enlightenment. 

The critically acclaimed series was published as a monograph by Kehrer Verlag in 2007, and the photographs went on to be exhibited across numerous venues in the US and internationally. 

Lisa M. Robinson graduated cum laude from Columbia University and received her MFA in Photography from the Savannah College of Art and Design. She has won several awards including a Fullbright Grant, was an Evelyn Stefansson Nef Fellow at the MacDowell Colony and an artist-in-residence at the Pouch Cove Foundation in Newfoundland. Her work is represented in the collections of the Museum of Fine Arts (Houston), Museum of Photographic Arts (San Diego), Ogden Museum of Southern Art and Fidelity Investments amongst others.

At the AIPAD Photography show, two Artist Proofs of Wish and Solo are presented for sale. With the edition of these two artworks now sold out, these photographs are the last available to acquire. 

Sunday, January 5, 2014

THE BIG FREEZE

Here in New York City, we are experiencing especially cold temperatures—reminding the gallery team of some wonderful landscapes made by our artists. Why venture outside when you can have these hanging on your walls?

Several of these photographs are close to selling out, so if you see something you truly love, we recommend an acquisition without delay! 

Current pricing and availability is available by contacting us at the gallery. 

Snowbound, 2003–2007 © Lisa M. Robinson
C-Types | Ed: 15 + 2APs | 28" x 36"

See more from the Snowbound series here


Polyarnye Nochi, 2004–2005 © Simon Roberts
C-Types | Ed: 6 + 2APs & 10 + 2APs | 30" x 40" & 20" x 24"

See more from the Polyarnye Nochi series here

Tuesday, February 12, 2013

For your Valentine ....

We believe the gift of art is perfect for the one you love. Below are some rather fabulous artworks that we think suit the theme of romance. With only two days left until Valentine's Day ... we've only selected artworks that are mounted, framed and ready to hang.

 The Invention of Drawing (2008) ©Antony Crossfield
66" x 48" Ed. 3+1 | 36.5" x 26.5" Ed. 7+1

This photograph, by the British artist Antony Crossfield, was partly inspired by one of the many tales in art history regarding the invention of drawing. The narrative spoke of two lovers, about to be separated by war. The young woman, not certain if she would see her soldier-love again, traced out the outline of his shadow onto a wall with charcoal, as it was cast by the firelight. In this way, she intended to keep her memory of his image alive. Crossfield works with this story in this artwork from the  Foreign Body series. It's an amazingly accomplished photograph that draws upon many renditions of the narrative throughout art history. His authorship and artistry brings a truly romantic narrative right up to date, by working with contemporary social references and photographic practice.


 The Irony Tower – Andrew Solomon (2010) ©Doug Keyes
17" x 21" x 1.5" Ed. 6


In 2010, the celebrated author Andrew Solomon – currently in the midst of rave reviews for his most recent book Far From The Tree – visited the gallery to view the work of Doug Keyes. The visit resulted in Mr. Solomon commissioning Doug Keyes to make two artworks inspired by his books, Noonday Demon and The Irony Tower. Our love for books, literature and photography come together in this beautifully crafted artwork. 

"In this electronic age, it's easy to become sentimental about the book as object, and if such nostalgia afflicts some readers, it more deeply moves writers; there is an almost inexpressible satisfaction to the physical heft of a book, a joy attached to holding it aloft and saying, "This, this is what I have done with my life."  Doug Keyes celebrates that physicality, but never at the expense of the books' content.  A book is already metaphoric; it is a collection of dimensional shapes that correlate to spoken language.  In Keyes's hands, the material and the essential content seem to merge; these images encapsulate the very essence of the author's vision and intent.  To have one's own art transformed by his art is to feel truly and deeply seen.  The images are beautiful, and full of meaning, and the beauty is part of their meaning.  No one has ever done a more satisfying portrait of me than these two photos". – Andrew Solomon  


 Lowlands 1 (2010) ©Martin Bogren
16" x 16" Ed. 6

Each summer, the gallery stages an exhibition called FRESH. Photographs are selected from an open call and co-curated by Darren Ching and a guest curator – in 2012 we collaborated with the collector, Fred Bidwell. One of the artists selected was Martin Bogren and this photograph, a personal documentation of Bogren's home village, has continued to capture our imagination. The nostalgia, the romance and the mystery is simply captivating.


Mesmory (2010) ©Lisa M. Robinson
32" x 40" Ed. 10+2

This contemplative and engaging photograph forms part of Lisa M. Robinson's Oceana series, with which she explores the 'rythms of natural time'. She invokes through the artwork, a visceral response that extends beyond the visual and becomes almost physical. We can imagine sitting on a bench, cozied up in the chilled air, sitting together and watching the ocean ...

"Water and the atmosphere are forever shifting, changing in both subtle and dramatic ways ... I am viewing the physical world itself with an understanding of internal trsnformations and visible signs of upheaval". – Lisa M. Robinson


PO4 (2011) ©Max de Esteban
20.7" x 27.6" Ed. 5+1 | 39.4" 52.5" Ed. 5+1
One of the most romantic things to receive is a piece of prose, a love letter, or simply a note with a discreet message of admiration. This is a wonderful photograph from Max de Esteban's series, Proposition One: Only The Ephemeral .  We've chosen it as a perfect valentine's gift because it conjures up those memories of tranforming a blank piece of paper, into somethng so much more. The artwork itself is an expertly crafted photograph of an object, once so widely used for written creativity – now obsolete but the romance of it still coveted.


Sunday, May 1, 2011

Lisa M. Robinson's OCEANA

Elegy from the Oceana series. © 2010 Lisa M. Robinson

On the eve of her second solo show with the gallery, we spoke with Lisa M. Robinson about the creative journey from Snowbound to Oceana. To read the full interview, visit At Length. The exhibition, Oceana, is on view through to June 10, 2011