Tuesday, February 24, 2015

2015 SONY WORLD PHOTOGRAPHY AWARDS

We are delighted to share the news that gallery artist, ANTONY CROSSFIELD, has been named a Finalist for the 2015 Sony World Photography Awards, with his stunning photograph, "Bomb", 2014.

*** UPDATE *** Congratulations to Antony Crossfield on being named the Winner of the Open/Enhanced section of the Awards. 

"A man performs a 'bomb' dive in the ocean. This image was intended to undermine stereotypes of masculine strength and power. The bomb dive - a metaphor of power and destruction - is revealed as ineffectual and pointless posturing, a tiny gesture in the face of wider forces. Furthermore, the image comments on the possibilities of fiction in digital photography, a seemingly believable image is also somehow completely impossible, a perfect reflection permanently fixed on the brink of disruption."—Antony Crossfield. 


"Bomb" is available for purchase as follows: 

50cm x 50cm, Edition of 10 + 1AP
80cm x 80cm, Edition of 5 + 1AP

Please contact the gallery for price and availability.

+1 212 796 2070
info@klompching.com 

Sunday, February 22, 2015

UPCOMING EXHIBITION: DOUG KEYES


We are delighted to announce an exhibition of new photographs by Doug Keyes. Portrait is Keyes’ third body of work, and his second solo show at the gallery.

The genesis for this series was the Chuck Close catalog, that Keyes photographed in 1998 for the widely applauded Collective Memory series. With this image, multiple exposures resulted in two portraits that represented Close’s body of work. Keyes now continues this focus on portraits made by other artists and documentarians.

Sourcing images from books and the internet, and often inspired by portraits experienced in person, Keyes selects images that collectively create an overall representation of each artist’s portraiture work. The resulting photographs reshape the work of such iconic names as Andy Warhol, Cindy Sherman, Martin Schoeller and Frida Kahlo. At times, his work conjures up more than the purely visual, such as with Nick Cave (2014), which pierces the viewer with a cacophony of suggested sound and movement, gloriously melded together. 

Beyond the subject of the portrait itself, Keyes is most interested in the cognitive impression left after seeing the work. Keyes’ work proposes that the brain creates collections of layered images over time, not individual snapshots of moments like a camera. When we think of a person it’s not a static, flat impression. We live in time and space, always moving, always inputting new data. And this data is never objective, it’s not a collection of precisely copied information; it’s as imperfect as our memory.

This series continues the artist's sophisticated use of multiple exposure; an artistic paradigm that he has steadfastly cultivated over the course of some twenty years. Keyes is a perceptive, quietly intelligent fine artist, whose transformative artworks exhibit a confident authorship, are conceptually rigorous and present an accomplished and well-defined aesthetic. 

Doug Keyes is an American artist currently living and working in Seattle. Collections holding his work include the Akron Art Museum, Los Angeles County Museum of Art, Microsoft, Fidelity Investments, Berkeley Art Museum and Museum of Fine Arts, Houston amongst others. He is the recipient of several awards including the Ned Behnke Artist Fellowship, Juror’s Choice Award from CENTER and more recently the PONCHO Merit Award. Keyes’ photographs have been exhibited at numerous venues across Northern America. In 2008, Collective Memory was published by Decode Books.